Sunday, May 31, 2009

"So that I'm not screwed by a bear"

Just caught Isabella Rossellini's Green Porno series on the Sundance Channel, thanks to her appearance on the Graham Norton show: wonderful, quirky, fascinating. She's such an intriguing, engaging person. One of the few "famous" people I'd love to meet.

Check out these delightful short films!

Thursday, May 28, 2009

Thanks!

Thanks go out to Karen Weyant, who will serve as the final judge for this year's Keystone Chapbook Prize. Karen's blog vanished into the ether the other day, but her new blog is up and you can find it here. I highly recommend grabbing yourself a copy of her fine new chapbook, Stealing Dust.

Wednesday, May 27, 2009

Imagine our surprise

So our apartment has its problems: we live in a half-double, a very old two-story brick house just off Market Street, and getting the owner to keep up with repairs is sometimes an incredible hassle. Case in point: the leak over the front door, which we pointed out for the first time four years ago, and which has caused increasing damage to the door frame and the exterior and interior walls. We sent letters. We phoned. She blew us off repeatedly. Two years ago, just after R had sent another letter, we saw her on Market Street: "I got your letter," she said. "I got your last ten letters. . ." The remark that made me spin on my heels and walk away was: "But face it--it's only a rental."

So imagine our surprise, two days ago, to find a carpenter knocking loose some of the rotten wood from above the door. He poked, he prodded. He sent around a worker to start yanking out the ruined wood.

Today, the full extent of the damage is visible: a massive crossbeam, 150 years old, was completely rotted through and had to be removed. Temporary supports have been jacked into place to keep the bricks from collapsing. We can see daylight through holes punched through the plaster. The door casing itself is partially rotted; I don't know if they'll remove the door and replace this or try somehow to work around it. But all I can think is that 90% of this could have been prevented.

Wednesday, May 06, 2009

Call for chapbooks: Pilot

passing along this call for chapbooks from our friends at Pilot Books:

Pilot Books will hold our first open reading period in May of 2009 to select a manuscript to be published in our new Meddling Kids Series. Please submit 2 printed copies of your original poetry manuscript (10-25 pages of verse) postmarked between May 1st -May 31st , 2009. Include two cover pages--one with manuscript title, your name, address, email and phone; another with manuscript title only. Manuscripts will be logged in by an impartial third party, and read anonymously by the editors and a panel of outside readers. A selection of finalists may be asked to submit their manuscript electronically. No SASE necessary; we will communicate via email. Post your entries, along with a $10 reading fee to the address below. (All entry $$ will fund the production of the selected manuscript.)

Pilot Books
39 Lilly Street
Florence, MA 01020

Thursday, April 30, 2009

Amid the swirl

Amid the swirl of comments and speculation surrounding the strange and disconcerting disappearance of Craig Arnold, I ran across this Facebook group set up by his family. Send good thoughts.
__ __ __

Still grading essays. My final exams (take-"home") were due at 4PM today; a few trickled in until 5:30. I'm actually glad the weather's turned rainy: less distraction. But the garden (and lawn) is a riot of luscious sweet violets, the lilacs next door are opening, the ferns have unsprung. I completely missed seeing the crabapple in bud. Suddenly it was in full bloom. We had such odd hot weather for a few days--everything went into overdrive--hurry, hurry--. So much nicer to have mild days.

Friday, April 24, 2009

New venue for chapbook reviews

Please take a moment to check out the new Fiddler Crab Review, an online site for poetry chapbook reviews.

Tuesday, April 14, 2009

Deborah Digges

I was very sad to hear about this: http://www.masslive.com/news/index.ssf/2009/04/poet_tufts_professor_deborah_d.html

BROOM

More than my sixteen rented houses and their eighty or so rooms
held up by stone or cinderblock foundations,
most facing north, with useless basements,
wrought iron fences to the curb,
beat-up black mailboxes--
eagles impaled through breasts to edifice--
or set like lighthouses
some distance from the stoop a thousand miles inland,

or close enough to sea the sea gulls
settled mornings in the playing fields I passed
on this continent and others
as I walked my sons to school or to the train--

more than the kitchen door frames where is carved the progress
of their growth, one then the other on his birthday
backed against a wall, almost on tiptoe--

and more than the ruler
I have laid across their skulls
where the older's brown hair like my own,
or the younger's blond like his father's, covered abundantly
what was once only a swatch of scalp
I'd touch as they slept to know their hearts beat--

more than the height at which, and in this house,
the markings stopped like stairs leading to ground level,
and they walked out into the world,
dogged, no doubt, by the ghost of the man, their father,
and the men who tried to be their fathers,
father their wildness--

and more, even, than the high sashed windows
and windows sliding sideways
through which I watched for them, sometimes squinting,
sometimes through my hands cupped on cold glass
trying to see in the dark my men approaching,
my breath blinding me,
the first born surely the man I would have married,
the second, me in his man's body--

more than the locks left open and the creaking steps,
the books left open like mirrors on the floor
and the sinks where we washed our faces
and the beds above which our threefold dreams collided,

I have loved the broom I took into my hands
and crossed the threshold to begin again,
whose straw I wore to nothing,
whose shaft I could use to straighten a tree, or break
across my knee to kindle the first winter fire,
or use to stir the fire,

broom whose stave is pine or hickory,
and whose skirt of birch-spray and heather
offers itself up as nest matter,
arcs like the equator
in the corner, could we see far enough,
or is parted one way like my hair.

Once I asked myself, when was I happy?
I was looking at a February sky.
When did the light hold me and I didn't struggle?
And it came to me, an image
of myself in a doorway, a broom in my hand,
sweeping out beach sand, salt, soot,
pollen and pine needles, the last December leaves,
and mud wasps, moths, flies crushed to wafers,
and spring's first seed husks,
and then the final tufts like down, and red bud petals
like autumn leaves--so many petals--

sweeping out the soil the boys tracked in
from burying in the new yard another animal--
broom leaving intact the spiders' webs,
careful of those,
and careful when I danced with the broom,
that no one was watching,
and when I hacked at the floor
with the broom like an axe, jammed handle through glass
as if the house were burning and I must abandon ship
as I wept over a man' faithlessness, or wept over my own--

and so the broom became
an oar that parted waters, raft-keel and mast, or twirled
around and around on the back lawn,
a sort of compass through whose blurred counter-motion
the woods became a gathering of brooms,
onlooking or ancestral.

I thought I could grow old here,
safe among the ghosts, each welcomed,
yes, welcomed back for once, into this house, these rooms

in which I have got down on hands and knees and swept my hair
across my two sons' broad tan backs,
and swept my hair across you, swinging my head,
lost in the motion,
lost swaying up and down the whole length of your body,
my hair tangling in your hair,
our hair matted with sweat and my own cum, and semen,
lost swaying, smelling you,
smelling you humming,
gone in the motion, back and forth, sweeping.

Saturday, April 11, 2009

A Celebration of the Chapbook: NYC: 4/23-25

[passing this along; wish I could attend]

April 2009
For Immediate Release

We are excited to announce a wonderful event upcoming on April 23-25 in New York: A Celebration of the Chapbook, a three-day festival featuring panels, workshops and a bookfair. For a full schedule of events, visit http://centerforthehumanitiesgc.org/festival .

This festival celebrates the chapbook and highlights its rich history, as well as its essential place in poetry publishing today, as a vehicle for alternative poetry projects and for emerging authors and editors to gain entry into the literary marketplace. The festival hopes to forge a new platform for the study of the chapbook inside and outside the academy.

We invite you to visit the fair and attend the panels and workshops, all of which are free of charge. Please note that the workshops require registration, and will fill up fast, so reserve your seat now. Visit http://centerforthehumanitiesgc.org/festival for instructions on how to register.

We are seeking volunteers for the festival, and there are still a few spots available in the bookfair. If you’re interested in volunteering, or if you are a chapbook publisher and want to participate in the bookfair, please e-mail abozicevic@gc.cuny.edu.

Join us for A Celebration of the Chapbook – we hope to see you there!

The Asian American Writers’ Workshop
The Center for Book Arts
The Center for the Humanities, The Graduate Center, The Office of Academic Affairs, and MFA Programs in Creative Writing of the City University of New York
Poetry Society of America

A Celebration of the Chapbook

Thursday April 23rd, 2009 - Saturday April 25th, 2009

~ Thursday, April 23 at The Graduate Center, CUNY, 365 Fifth Avenue & 34th St

Chapbook Fair - 10:00am-6:00pm, The Elebash Recital Hall Lobby

Brief History of Chapbooks - 3:00-4:30pm, The Elebash Recital Hall
With Isaac Gewirtz, Curator of the New York Public Library’s Berg Collection; Eric Lorberer, Editor of Rain Taxi; and Michael Ryan, Director of the Rare Books and Manuscripts Library at Columbia University. Moderated by Richard Kaye, Hunter College, CUNY

Chapbooks in the 20th and 21st Centuries - 4:30-6:00pm, The Elebash Recital Hall
With Michael Basinski, Assistant Curator of the Poetry/Rare Books Collection of the University Libraries, SUNY at Buffalo; Anne Waldman, Chair and Artistic Director of Naropa University’s Summer Writing Program; and Kevin Young, Emory University. Moderated by Ammiel Alcalay, Queens College, CUNY.

Keynote Reading - 6:00pm, The Elebash Recital Hall
Readings by Lytton Smith, Gerald Stern, Judith Vollmer, Kevin Young and others, with an introduction by Kimiko Hahn.

~Friday, April 24 at The Graduate Center, CUNY, 365 Fifth Avenue & 34th St

Chapbook Fair - 10:00am-4:00pm, Rooms 8301/8304

Chapbook Now: Producing Chapbooks-A Workshop for Poets - 10:00-11:30am, Room 8400 With Rachel Levitsky (Belladonna*); Sharon Dolin (The Center for Book Arts); and Ryan Murphy (North Beach Yacht Club). Moderated by Alice Quinn (Poetry Society of America). To register, call (212) 817-2005 or e-mail abozicevic@gc.cuny.edu – registration is offered on a first-come, first-serve basis.

Chapbook Now: Producing Chapbooks-A Workshop for Publishers - 11:30am-1:00pm, Room 8402 With Jen Benka (Booklyn); Matvei Yankelevich (Ugly Duckling Presse); and Brenda Iijima(Portable Press at Yo-Yo Labs). Moderated by Rob Casper (Poetry Society of America). To register, call (212) 817-2005 or e-mail abozicevic@gc.cuny.edu – registration is offered on a first-come, first-serve basis.

Friday, April 24 at The Center for Book Arts, 28 West 27th Street, 3rd Floor

Bookmaking for Writers: A Studio Workshop with Susan Mills and Karen Randall - 2:00-5:00pm
To register, call (212) 481-0295 or e-mailinfo@centerforbookarts.org – registration is offered on a first-come, first-serve basis. There's a $20 materials fee for each workshop.

Bookmaking for Publishers: A Studio Workshop with Susan Mills and Karen Randall - 2:00-5:00pm
To register, call (212) 481-0295 or e-mailinfo@centerforbookarts.org – registration is
offered on a first-come, first-serve basis. There's a $20 materials fee for each workshop.

RECEPTION at The Center for Book Arts, 28 West 27th Street, 3rd Floor - 6:00 pm
All are welcome! Visit the exhibitions at The Center for Book Arts: \’fl \:art, text, new media, Roni Gross: Zitouna at 20, and Spotlight: 2008 Artists-in-Residence.

~Saturday, April 25 at The Asian American Writers’ Workshop, 16 West 32nd Street, Suite 10A

Collector’s Show-and-Tell: The Secret History of Asian American Literature Patricia Wakida - 2:00-3:00pm

Publishing from the Margins - 4:30-6:00pm with Tan Lin; Dawn Lundy Martin (Third Wave Foundation, Black Took Collective); and Bushra Rehman. Moderated by Ken Chen (The Asian American Writers’ Workshop). Followed by a brief reading from the Workshop's Postcard Poetry Project.

RECEPTION at The Asian American Writers’ Workshop, 16 West 32nd Street, Suite 10A - 6:00 pm

Participating Publishers: Achiote Press :: Belladonna* :: Booklyn :: Book Thug :: Cuneiform Press :: Dancing Girl Press :: Diagram/New Michigan Press :: dusi/e-chap kollektiv :: Flying Guillotine Press :: hand*held*editions :: Interlude Editions :: Noemi Press :: North Beach Yacht Club :: Octopus Books :: Portable Press at Yo-Yo Labs :: Rain Taxi :: Sarabande Books :: Slapering Hol :: Small Fires Press :: TinFish Press :: Toadlily Press :: Ubu Editions :: Ugly Duckling Presse :: Web Del Sol's World Voices :: X-ing Press­ :: and others

For more information visit http://centerforthehumanitiesgc.org/festival

Tuesday, April 07, 2009

Vermont! and DC!

Let's all do the Wave.

Sunday, March 29, 2009

Earth Hour

I took a walk last night in the not-quite-rain during Earth Hour. We seemed to be the only house using candles. A loud concert near campus boomed and echoed through town--I could even hear it down by the river. The same cop drove slowly past at least three times as I made a vague loop: did I look like a troublemaker? True, no one else was out.

[Photo: candle on the kitchen counter.]

Wednesday, March 18, 2009

And another

Well now I'm on page 68, reading and re-reading the title poem, and just have to share it:

POTSCRUBBER LULLABIES

I
The Potscrubber completes a cycle
so vigorous the knives were rattling,
and pauses, waking Evan Michael,
who finds all silences unsettling.

There's no resemblance. It's too early.
Everything is still so round.
But we've occurred to him as surely
as silence has occurred to sound,

and when he's finished sharpening
into himself, and when we've blurred,
we're going to go on happening
in silence like he's never heard.

II
I wore him like a broken arm
all summer, slung
from my right shoulder in a paisley hammock
so deep the sides closed over him.
When I walked he swung, and slept,
kukked by the time his body kept
against my stomach.
When I stopped I had to sing.

An Eric McHenry poem

I EZB'd Potscrubber Lullabies because of the title, because I've got my radar out for poems with working-class themes (for the other blog), and of course the book is something completely different, but a fun read nonetheless. I'd never heard of Eric McHenry before. His book came out in '06 from Waywiser Press. I'm going to look up some more of their titles. Here's one poem:

"Larkin at Sixty"

I did the South Bank Show today. It went
no worse than I'd expected, though they spent
rather too much time talking
about four-letter Larkin for my liking.

What will survive of me will no more live
than an appendix in preservative,
and now it's clear to me
"They fuck you up" will be my Innisfree.

Hump Day

I threw nineteen students out of my working class lit course last hour: anyone who had not read the essay I'd assigned for today. The six remaining students and I had an engaging discussion, partly devoted to the reading material and partly assessing what was going wrong with the class and what we could all do to inject new life into it. . . Just two minutes ago, one of the nineteen came by with a two-page response to the reading and an apology for not being prepared. I nearly wept.

Sunday, March 08, 2009

Opportunity to read: DC regional

[Note: I read in this series a few years ago with Jennifer Gresham; if you can make it to the DC area this summer, it's well worth attending (or participating: details below on how to apply)]

The Joaquin Miller Cabin Poetry Series is currently accepting applications.

  • WHEN: Tuesdays at 7:30 p.m. in Washington, DC’s Rock Creek Park, Picnic Area Number 6, during June and July.
  • WHAT: Two poets are usually featured. The outdoor programs held next to poet Joaquin Miller’s Cabin are sponsored by The Word Works, and the National Park Service.
  • WHO: Kathi Morrison-Taylor, Rosemary Winslow and Deborah Ager are the co-directors for 2009.
  • IF SELECTED, you will read your work at the cabin and receive a small honorarium. Copies of a poster/flyer (self-mailer) will be available for you to send to friends and colleagues. If you have books published, you may sell them at the reception. If you live out of town and need a place to stay, we’ll do our best to help you find a place.

TO APPLY to the series, send the following:

  • 5 poems, typed, one poem per page. No one poem longer than two pages.
  • Name, address, telephone numbers, email on first page of the submission. Name on every page.
  • Brief biographical note, including publications, readings, literary studies, prizes.
  • Stamped, self-addressed envelope for reply (for return of poems, add sufficient postage as needed).
  • NOTE: All manuscripts must be typed. Any form or style of poetry will be considered; selection is made on the basis of the poems submitted. The biographical note is for information only. The director is assisted by a panel of writers in choosing poets.
  • SEND TO: Rosemary Winslow, Co-Director; Joaquin Miller Cabin Poetry Series; Department of English; The Catholic University of America; Washington, DC 20064.
  • DEADLINE: Postmarked on or before March 31 of each year.

Saturday, March 07, 2009

New Ohio Review

Got a note from Jill Rosser that the New Ohio Review's contest deadline has been extended to March 15--check out the details here, and please encourage folks to enter their work.

Oh, and there's a new Mary Ruefle poem on their site: "Helium." Who else but Mary could say, to helium, "They gave you/ a dibble. They made you wrists."

[I have a dibble. I'm delighted to see one appear in this poem.]

Monday, March 02, 2009

CFS: qaartsiluni chapbook contest

The good folks over at qaartsiluni have just announced their first chapbook contest. The judge will be Dinty Moore.

Sunday, March 01, 2009

Working class poems

I've been loading poems to a new blog that I set up as a resource for my working-class literature course. You're welcome to check it out & to suggest poems to add. A new poem opens every day at 12:45 (class time).

Wednesday, February 25, 2009

Plural?

Err. . . what's the plural of haiku? I thought to look in my Princeton Encyclopedia, but it's at home.
_ _ _ _ _

Went to a reading last night by Erinn Batykefer and Katie Hays. Very much enjoyed the second half.
_ _ _ _ _

It's nearly spring break. I can hardly wait.
_ _ _ _ _

Look at the amazing cover we're doing for Steven Riel's new chapbook. We were so lucky to get permission from Sean-Michael Rau to use his image. More on artist and author will be posted soon at Seven Kitchens . . .


Wednesday, February 18, 2009

Get yours

Congrats to Matthew Hittinger, whose second chapbook, Narcissus Resists, is out now. Go get yours!