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The off-and-on-again blog of Ron Mohring, whose plate is almost always overfilled. CONTENTS OF THIS BLOG ARE MIGRATING (gradually) to my new blog, The Boy Who Reads in the Trees. See top post for URL.
Linky Links
- About a Word
- Alex Gildzen: Arroyo Chamisa
- Anne Haines
- Art Durkee: Dragoncave
- Autumn House Press
- Barn Owl Review
- Beloit Poetry Journal
- Bernadette Geyer
- Bookslut
- Brevity
- Broadsided
- Cabinet of Wonders
- Cave Canem: A Home for Black Poetry
- Chapbook Review
- Copper Nickel
- DIAGRAM
- DIY Poetry Publishing Cooperative
- Donna Vorreyer
- Double Room
- Drunken Boat
- Dudecraft
- Eduardo Corral: Lorca Loca
- Emerging Writers Network
- Fat of the Land
- Frank Sherlock
- Hanging Loose Press
- Indiana Review
- Jameson Currier: Queertype
- John Keene: J's Theater
- Jory Mickelson: Literary Magpie
- Karen Weyant: The Scrapper Poet
- Kristin Berkey-Abbott
- Mark Doty's blog
- Mark Granier:Lightbox
- Matthew Hittinger
- Matthew Siegel
- Paul Martinez Pompa
- Poetry Daily
- RJ Gibson: On the Cusp
- Redheaded Stepchild
- Sandy Longhorn
- Southern Indiana Review
- Tarpaulin Sky
- Writing the Holocaust
- qarrtsiluni
- the rain in my purse
4 comments:
I forgot to thank Franklin Abbott for sharing this: it beats the hell out of David Broza's embarrassingly twangy rendition of Bishop's "One Art." (But then again, anything would.)
For the most part, I like David Broza's work (despite the tone of my previous message) and highly recommend it. There are more poems set to music out there than just Wyn Cooper's "Fun" (though the Sheryl Crow song still kicks!). . .
Ask Sarah Smith about beatboxing the Canterbury Tales if you ever talk to her in person/on the phone.
Miriam! I can totally picture Sarah doing this. Ah, but I miss all y'all.
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