Showing posts with label APLA. Show all posts
Showing posts with label APLA. Show all posts

Monday, June 30, 2008

CFS: AIDS Project Los Angeles Anthology

Call for Submissions: APLA Writing Project 2009 / Co-editors: Tisa Bryant and Ernest Hardy.

Our world is at a crossroads. We daily witness economic meltdowns and uncertain job markets, boiling religious fundamentalism, issues of immigration as borders melt or collapse, age-old and brand new manifestations of racism, and the exploding spread of AIDS in communities of color. But we’re also at a crossroads of enormous possibility, resistance and revolution. It’s an opportunity to create new definitions and terms of success, of blackness and gayness / queerness / same gender lovingness. It’s a crucial moment for reexamining our visions and expectations of self and community.

At this crossroads, we are collaborating with AIDS Project Los Angeles to publish the fourth in their series of book-length collections of writing and images that grapple with the questions of what it means to be, know and love gay men of African descent in the 21st century. Where have we been? Where are we going? What’s on the horizon?

We want to share your responses to these questions with the world. We seek poetry, short stories, essays, articles, excerpts from novels / plays / screenplays, dreams, journal entries, photo essays, blog posts, collages, manifestoes, or email exchanges that imaginatively contextualize black gay men’s lives in connection with your own. Give us some sharp focus portraits, lingering close ups, long-range views, backwards glances of who you’re looking at, where you’re coming from , and what matters most in the worlds you make and imagine.
We especially seek works that explode conventions around racial, sexual, religious or regional identities, that challenge, provoke, are brave and unexpected. All submissions will be seriously considered, from straightforward and linear stories of lived experiences, political activism, and cultural criticism, to experimental pieces that toy with language and cross boundaries of genre and form. What we want, what we need, and what we believe in is your unfiltered but masterfully rendered truth.

Text entries: 1,200 words maximum. Poems must be two (2) pages or less.

Graphic art: B&W, hi-res 300 DPI, TIFF file format. Color art that can be published in B&W will also be considered.

Deadline for submissions – July 30, 2008

Text must be emailed as a very clean (proofread) attachment from a word-processing application, formatted as intended for publication, and must include, your name, title of work, type of work (essay, article, poem, visual art, etc.), length (word count), email address; and a 50-word bio and photograph of writer/artist.

The subject line should read, Book Submission (genre), e.g., “Book Submission (Fiction)”

PAYMENT: $100 for your submission and 10 copies of the book.

Address all correspondence, including queries to, tiscern@gmail. com

Press release

For Immediate Release: AIDS Project Los Angeles Releases third in series of publications focused on Black Gay Men and HIV/AIDS

Los Angeles, Calif., June 24, 2008 – AIDS Project Los Angeles (APLA) today announced the publication of To Be Left with the Body, the latest in a series of publications created by and for black gay and bisexual men to explore the impact of HIV/AIDS on their lives. Co-edited by Cheryl Clarke and Steven G. Fullwood, the collection features contributions from 16 writers and poets, and a series of photographs by New York artist Artis Q. "AIDS Project Los Angeles is committed to a robust and relevant conversation with black gay men about HIV risk," said APLA Director of Health and Wellness Programs Vallerie D. Wagner, who wrote the book's foreword. "We have a responsibility to take action, stand firm and stem the tide of this pandemic."Gathered into four sections, the essays, poems and stories of To Be Left with the Body pose provocative questions ("Who is the HIV/AIDS virus pushing us to become?") and offer accounts of "bodies . . . at war with themselves; bodies aging, being positive, holding illiness; and seeking and finding their grace." Throughout the book, Artis Q.'s series of seven photographs, "Me and My Shadow," shows well-known New York City landmarks layered with an ever-present black male silhouette. As Ms. Wagner writes in her foreward, To Be Left with the Body aims to expose the "hidden face of AIDS" and begin to conquer the "silence, stigma and denial" that have become the "inevitable result" of the spread of HIV into communities of color. A 2005 study in five major U.S. cities found that 46 percent of black men who have sex with men (MSM) in the study were infected with HIV, compared with 21 percent of white MSM and 17 percent of Latino MSM. Since that time, APLA has engaged a wide network of writers and artists to help drive conversations about HIV/AIDS among gay men of color through cultural production. To Be Left with the Body follows APLA publications Think Again (2003) and If We Have to Take Tomorrow (2006).

To place orders for the book, please contact Patrick Hebert at 213.201.1537. To download a copy, visit http://www.apla. org/publications /publications. html.

Title: To Be Left with the Body
Date: June 2008
Editors: Cheryl Clarke and Steven G. Fullwood
Contributors: Samiya Bashir, Raymond Berry, Cheryl Boyce-Taylor, Ramsey Brisueno, Jewelle Gomez, francine harris, A. Naomi Jackson, Ana-Maurine Lara, Dante Michaeux, Conrad Pegues, Kevin Simmonds, Pamela Sneed, Terence Taylor, Marvin K. White, james witherspoon, avery r. young.
Publisher: AIDS Project Los Angeles
Graphic Design: Patrick "Pato" Hebert
Images: Artis Q and Steven G. Fullwood
Pages: 84

AIDS Project Los Angeles (APLA), one of the largest non-profit AIDS service organizations in the United States, provides bilingual direct services, prevention education and leadership on HIV/AIDS-related policy and legislation. Marking 25 years of service in 2008, APLA is a community-based, volunteer-supported organization with local, national and global reach. For more information, visit www.apla.org.